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While the reporter needs to be pure and strong like a Captain America figure standing up for what's right, while holding a darker edgier side, a side effect of his childhood and his anger at the unresolved issues that it brings.
Chipping away. Almost finished with that sex scenes I was talking about and am trying to plot out more of the boat ride where Charlie and the Reporter fall in love. Kind of a difficult balancing act. Charlie needs to be kind of naive and innocent while being a world weary immortal.
Fair enough. If you're going the more comedic route then just don't draw attention to it. Pull the Ramma card and have everyone respond with indifference to all the insanity. lol.
Basically if you get rid of guns it opens the door for a lot of questions from the readers about the world building and history of this place and creates a bunch of work for you the author if your just trying to do your standard modern day fantasy.
But you kind of needs guns not necessarily because they add to the setting, but if your doing a modern setting the creation and then innovation of guns basically help kick start the industrial revolution since it forced blacksmiths to have a higher tolerance for machining than ever before to...
Oh whoops. Goddamnit. The world ladder is still tripping me up. lol. But if you don't want guns just make the magician anti physic's shield make them malfunction and have the muscle guy's strong enough to shrug off bullets even on the lower ends.
That just leaves power levels. How they compare to guns and modern militaries? How integrated and involved or antagonistic and independent are they with local governments? Stuff like that to figure out the relationships and logistics of the Masquerade.
That's the hard part. lol. It's why there's so many over power Harry Potter or Naruto stories. The powers the easy part it's integrating that with a whole world and compelling cast of characters.