After finishing my meal, I take a leisurely route back toward the inn, letting the food settle as I stroll through Ponyville. The sun hangs low in the sky, casting a golden glow over the bustling square, and for a moment, I actually feel... content. Strange, but I'm not complaining.
As I turn a corner, I hear the sound of hushed giggles and whispering. A trio of fillies sits nearby, huddled together by a wooden crate stacked with art supplies. One of them, a yellow-coated earth pony with a red bow in her mane, Apple Bloom, points at me, and the whispering gets louder.
"Hey, mister!" she calls, trotting over with a big grin. Her two friends—a white unicorn with a curly mane, Sweetie Belle, and an orange Pegasus with stubby wings, Scootaloo,—follow close behind. "What's yer cutie mark mean?"
I stop mid-step, blinking at her. "My… cutie mark?"
The filly nods eagerly. "Yeah! We've been tryin' to figure it out for a while now. It looks all complicated, but it's gotta mean somethin' cool, right?"
The other two chime in. "It's so weird!" says Sweetie, her voice high and curious. "Like, what even is it supposed to be?"
"Yeah," adds Scootaloo, narrowing her eyes at my confused look. "You do know what it means, right?"
I feel my face flush. "Of course I do," I say quickly. "I mean, I haven't really, uh, thought about it in a while."
"Wait," the Apple Bloom says, her grin dropping into a frown. "You don't know what yer own cutie mark means?"
"That's not what I said," I reply, a little too defensively. "I've just been busy. Haven't looked in a while, that's all."
They exchange skeptical glances, and I can feel my dignity crumbling under their unimpressed stares. With a resigned sigh, I turn in place, craning my neck to finally get a look at my flank.
The mark is… complicated. It's not a simple symbol or an image like I expected. Instead, complex formula, derivatives with variables I don't immediately recognize. For a moment, it feels like staring at an abstract painting.
But then, like pieces of a puzzle snapping into place, it clicks.
"Oh," I say, a faint smile tugging at the corner of my mouth. "I get it now."
"What do ya mean, 'you get it'?" the Apple Bloom asks, clearly exasperated. "Ain't it supposed to be your cutie mark?"
"Yeah!" the Sweetie adds, her brow furrowing. "You're supposed to know what it means already!"
Scootaloo shakes her head, looking thoroughly unimpressed. "How do you even get a cutie mark and not know what it's for?"
"I do know," I say, turning back to face them. "It just means I'm... really good at magic," I say smoothly, pasting on a confident smile.
The three fillies exchange doubtful glances.
"Magic?" the Sweetie asks, tilting her head. "But… it looks all math-y. Are you sure?"
"Positive," I reply, leaning into the lie. "Magic isn't just about waving your horn around. There's a whole layer of precision to it—calculations, balance, that kind of thing. My cutie mark just reflects that I've mastered the… technical side of magic."
Apple Bloom frowns, clearly not convinced. "So yer sayin' all that scribblin' means yer good at spells?"
"Exactly," I say, nodding emphatically. "You saw the rain spell at the party, didn't you? That's not just anypony's magic—that's precision magic. It's all connected."
The orange Pegasus squints at me. "Huh. So you're, like, some kind of nerd wizard?"
I can't help but laugh at that, despite the mild sting of the word
nerd. "Yeah, something like that."
Sweetie's skepticism fades slightly, replaced by a glimmer of awe. "So, do you know all kinds of spells?"
"Loads of them," I say, crossing my hooves casually. "But, you know, they're complex. Not really party tricks."
"Aw," the earth pony groans. "Guess we were hopin' fer somethin' flashier. Like a fireball or somethin'."
I shake my head with a small chuckle. "Flashy isn't always better. You'd be surprised how useful precision magic is."
The fillies exchange glances again, this time with less skepticism and more curiosity. Sweetie steps forward. "Can you teach me some day? I wanna learn magic like that!"
"Maybe," I say, brushing off the question with a half-smile. "If you stick with your studies."
"Okay!" she chirps, beaming.
"Alright, then," Apple Bloom says, nodding firmly. "Come on girls, lets go try to get our buggin' ponies cutie mark. Ah' feel like we were close last time."
"Uh, bye then," I reply, watching as the trio trots off, chattering among themselves.
Once they're out of earshot, I let out a long breath and glance back at my cutie mark. The sight still makes my head spin a little, but the implications are clear.
Good at magic, huh? More like good at physics, but it's not like anyone here would understand the difference.
I shake my head as I continue down the street. "Sure, let's go with that."
The rest of the day passes in a quiet haze. After the encounter with the fillies, I find myself wandering Ponyville aimlessly, soaking in the sights and sounds of this strange but vibrant town. The marketplace is bustling as usual, with merchants shouting over one another to advertise their wares. I don't buy anything—I'm still nursing my bits carefully—but it's nice to just exist in the flow of life here.
I pass by the Golden Oaks Library at one point, the towering tree catching my eye again. The idea of stepping inside tugs at me, but I push it aside for now. Maybe another day. Instead, I head to a quiet spot near the edge of town, a small hill overlooking the surrounding countryside. It's peaceful here, the sounds of Ponyville fading into the background as I sit beneath a tree, letting the cool breeze ruffle my mane.
The horizon stretches out before me, the setting sun painting the sky in hues of orange and pink. For a moment, the weight of everything—the bizarre turn my life has taken, the constant improvisation to survive—feels a little lighter. I let myself relax, if only for a while.
As night falls, the town quiets down, the streets lit by the soft glow of lanterns. I make my way back to the inn, the familiar warmth of its interior greeting me as I step through the door. The innkeeper gives me a nod, and I nod back, heading straight for the stairs. My body aches with a pleasant kind of tiredness, the kind that comes from a day of walking and thinking but not scrambling to solve impossible problems.
Once in my room, I drop onto the bed with a satisfied sigh, the soft mattress a welcome relief after the day. The coin pouch sits on the bedside table, a comforting reminder that I'm not completely broke—for now, at least. I kick off the blanket, too tired to worry about anything else, and close my eyes.
As sleep pulls me under, I can't help but feel a faint sense of accomplishment.
The morning sunlight filters through the thin curtains, rousing me from sleep. I groan and stretch, feeling the stiffness in my limbs from the previous day's wandering. For a moment, I lie there, staring at the ceiling, letting the comforting weight of the blanket hold me in place. But the day waits for no one, so I force myself out of bed.
After a quick rinse in the small basin provided in the room, I grab my coin pouch and key, heading downstairs to the inn's common room. The faint hum of morning activity greets me, along with the now-familiar scent of fresh bread and porridge. The innkeeper smiles as I approach the counter, sliding a plate toward me without needing to ask.
Breakfast is the same as always: a slice of crusty bread, a bowl of plain porridge, and a cup of lukewarm tea. It's filling enough, but the monotony is starting to wear on me. I chew methodically, staring out the window as the town begins to stir. Ponies move about their morning routines, their conversations muffled by the glass. It's peaceful, in its own way, but I can't shake the growing itch for something more.
After finishing my meal, I place the empty dishes back on the counter with a small nod to the innkeeper. "Thanks," I say, though my tone lacks enthusiasm.
"Of course, Mr. Flux," she replies cheerfully. "Have a good day."
I step out into the crisp morning air, the town already coming to life around me. The cobblestones are damp with dew, the scent of earth and greenery hanging in the air. The short walk to Town Hall is uneventful, and I take my time, enjoying the quiet moments before the day's chaos inevitably finds me.
When I reach my office, the familiar creak of the door greets me. Everything is as I left it: the simple wooden desk, the stack of blank parchment, and the small window letting in a beam of golden light. I drop my coin pouch on the desk and settle into the chair, exhaling deeply.
Another day as Ponyville's so-called Town Mage. Whatever that means. I lean back, waiting for the first knock at the door, knowing it's only a matter of time before somepony comes in with a problem they're sure only magic can solve.
The morning stretches on in quiet stillness. I idly doodle on a scrap of parchment, the quill wobbling slightly in my telekinetic grip. The hum of activity outside filters in faintly, a reminder that Ponyville doesn't stop moving, even if I'm stuck here waiting for the next "magical emergency."
Then, as if on cue, there's a knock at the door.
"Come in," I call, sitting up straighter and setting the quill aside.
The door creaks open, revealing a frazzled-looking earth pony stallion with a scruffy brown coat and a mane that looks like it hasn't been combed in weeks. He steps inside hesitantly, his wide, veiny eyes darting around the room before settling on me.
"You're the mage, right?" he asks, his voice a little too loud.
"That's me," I reply, gesturing to the chair across from my desk. "What seems to be the problem?"
He plops down, his hooves fidgeting on the armrests. "It's my tools. They've stopped workin'. Every time I use 'em, somethin' goes wrong. Nails bend, wood splits, screws won't catch. It's gotta be some kind of curse."
I raise an eyebrow, leaning forward slightly. "A curse?"
"Yeah," he insists, nodding vigorously. "I've been a carpenter for twenty years, and I've never seen anything like it. It's like they're fightin' me. Ain't no explanation other than magic."
I resist the urge to groan. "And you're sure it's a magic issue?"
"What else could it be?" he asks, throwing his hooves in the air. "Tools don't just go bad on their own."
I take a deep breath, "Alright. Let me see these tools."
The stallion hesitates, then reaches into his saddlebag and pulls out a hammer, a saw, and a few nails, setting them on the desk. I pick up the hammer in my magic, turning it over carefully. The handle is cracked near the base, and the metal head is loose, wobbling slightly as I move it.
"And you've been using this?" I ask, raising an eyebrow.
"'Course I have," he says, sounding defensive. "It's my hammer. Always worked fine before."
I set it down and pick up the saw. The teeth are dull, barely sharp enough to cut butter. The nails he brought are bent and rusty, their tips blunted from overuse. I glance back at the stallion, my patience thinning.
"These aren't cursed," I say plainly. "They're just old."
"What?" He blinks, looking genuinely confused.
"Look here," I say, holding up the hammer. "The handle's cracked, and the head's loose. That's why it's not working right. The saw's dull, and these nails are rusted and bent. You need new tools."
"But they've always worked fine before," he protests.
"Yeah, well, they've probably worn out over time," I reply with a bite. "Tools don't last forever. It's not magic—it's wear and tear."
He stares at the tools, his expression a mix of disbelief and frustration. "You're sure it ain't a curse?"
"Positive," I say, leaning forward and looking him in the eye. "Go get some new tools, and you'll see the difference. And keep them in better shape this time. A little care goes a long way."
The stallion reluctantly hands over ten bits, mumbling something about "fancy unicorn nonsense" under his breath. I pocket the coins with a polite nod, watching as he gathers his tools and leaves the office. Barely a second passes before another knock sounds at the door.
"Come in," I say, bracing myself for whatever's next.
The door opens, and in steps a pristine white unicorn with a perfectly coiffed purple mane. Rarity. I recognize her instantly, even before she speaks. She glides into the room with the kind of grace that makes me feel immediately nervous, her veiny blue eyes shimmer, scanning the office with mild curiosity.
"Good morning," she says in a melodic tone, her head held high. "You must be Kinetic Flux, Ponyville's esteemed Town Mage."
"That's me," I reply, forcing a neutral expression. "What can I do for you, Miss…?"
"Rarity," she says with a dazzling smile. "Owner of the Carousel Boutique, purveyor of fine fashions, and elder sister to Sweetie Belle."
Ah. The name Sweetie Belle sets off an immediate alarm in my mind. What now?
"Right," I say cautiously. "And what brings you here today?"
"Well," she begins, taking a dainty seat across from me, "it seems you've made quite the impression on my dear little sister."
"Oh?" I ask, though I already have a sinking feeling about where this is going.
"She mentioned that you offered to teach her magic, should she stick to her studies," Rarity continues, her tone light and pleasant. "I must say, I was thrilled to hear it. Sweetie Belle has struggled with her spells, and a proper tutor would do wonders for her confidence."
I freeze, my mind scrambling for a response. "Uh… well, I might've said something like that—"
"Which is why I'd like to formally hire you," she says, cutting me off. "Your expertise would be invaluable, and I'm more than happy to compensate you for your time."
Shit. Shit, shit, shit.
I force a smile, my heart pounding in my chest. "That's, uh… very generous of you. But you should know that magic instruction can be… complex."
"Oh, I'm sure it is," she says, waving a hoof dismissively. "Sweetie Belle is eager to learn, and I trust you'll be able to guide her."
I swallow hard, my mind racing. I don't actually know magic—at least, not in the way they think. All of what I've done so far has been improvisation with physics and basic telekinesis. Teaching an eager filly magic sounds like a one-way ticket to disaster.
"Well," I start, trying to find the most polite way to decline, "I'm not sure I'm the best fit for—"
"Fifty bits an hour," Rarity interjects, her tone smooth and confident.
I freeze. My mouth opens slightly, but no sound comes out. Fifty bits an hour? That's five nights at the inn for every hour of work. My mind races through the math. Even a few sessions could pad my wallet nicely, and with the way my luck's been, turning down fifty bits an hour feels like madness.
"I… uh…" I stammer, the words catching in my throat.
"Oh, don't be modest," Rarity says, her smile widening. "Sweetie Belle told me about your precision magic. She needs a tutor who understands the intricacies, and you're clearly the pony for the job. Consider it an investment in her future—and yours."
I force a tight smile, my brain screaming at me to back out before I dig myself into a deeper hole. But fifty bits is fifty bits.
"Well, when you put it like that," I say slowly, "how could I refuse?"
"Splendid!" Rarity beams, clapping her hooves together. "I'll bring her by tomorrow at three o'clock sharp. She's so excited to begin."
"Looking forward to it," I say, my voice strained as she stands and gracefully heads for the door. She pauses before leaving, turning to give me one last dazzling smile.
"Thank you, Kinetic Flux. You're doing a wonderful thing." And with that, she's gone.
As the door clicks shut behind Rarity, a wave of panic hits me like a freight train. I stare at the desk for a moment, the weight of my impulsive decision sinking in. Fifty bits an hour might be great, but teaching Sweetie Belle magic? What the hell am I supposed to do?
I need help. I need… knowledge.
The image of the Golden Oaks Library flashes in my mind, and I groan. I've been putting off visiting it for days, but now? Now I don't have a choice. If I'm going to bluff my way through tutoring Sweetie Belle, I need to at least sound like I know what I'm doing.
Without wasting another second, I grab my coin pouch and head out the door. The walk to the library is quick but tense, my mind racing with thoughts of what I'll need: basic magic theory, spell exercises, maybe something on teaching methods. The sun beats down on me as I weave through Ponyville's streets, dodging carts and ponies going about their day.
When I reach the Golden Oaks Library, I pause at the door. The massive tree looms above me, its windows glowing faintly in the sunlight. For a moment, I hesitate. The idea of walking into a library and rifling through books feels bizarre after my time just making it up as I go. But there's no time to waste.
I push the door open and step inside. The air is cool and faintly musty, the scent of old paper and wood filling my nose. The space is cozy, with shelves carved directly into the walls of the tree, each one crammed with books of various sizes and colors. A small desk sits near the entrance, a sheet of parchment pinned to it with a quill resting in an inkpot. The honor system, I assume.
"Well, here goes nothing," I mutter to myself, stepping further inside.
The shelves are labeled, albeit haphazardly, with wooden signs dangling from the edges.
History of Equestria, Cutie Marks, Magical Creatures, and—finally—
Basic Magic Theory. I make a beeline for the section, scanning the spines of the books for anything remotely helpful.
After a few minutes, I pull out a book titled
The Fundamentals of Unicorn Magic, its cover worn but intact. Another book,
Teaching Magic to Foals: A Practical Guide, catches my eye, and I grab it too. I browse a little longer, adding
Practical Spells for Beginners and
The Art of Magical Focus to the pile.
Balancing the stack precariously, I head to the desk near the entrance and pick up the quill. The parchment is a simple log, with columns for the book titles and borrower names. I carefully write my name—
Kinetic Flux—next to the titles, feeling slightly ridiculous as I do.
With the books in tow, I glance around the library. The cozy, quiet atmosphere is perfect for what I need. The tables here are larger than the cramped surface of my office desk, and I'm going to need the space if I want to figure out what I'm doing.
I pick a table near the back of the library, setting the books down with a satisfying
thump. After arranging them in a neat stack, I open
The Fundamentals of Unicorn Magic and start flipping through the pages. The first few chapters are dry—history lessons and philosophical musings about magic's place in the world—but eventually, I hit a section that catches my eye: "How to Cast a Spell."
The page is dense, but I force myself to read every word. The text reads:
How to Cast a Spell
Unicorn magic relies on the precise combination of mental focus, verbal invocation, and intent. While basic telekinesis requires only concentration, more complex spells demand the caster to visualize specific patterns while reciting a spell in Ancient Equestrian. This spoken component acts as a conduit, harmonizing the caster's intent with the magical energies around them.
To cast a spell:
Prepare your focus. Picture the result you wish to achieve in your mind's eye. Clarity is key.
Recite the incantation. Ancient Equestrian phrases channel magic effectively. Below is an example for a basic light spell:
Lux vera, domina luminis,
Ignem sacrum invoco.
Illumina tenebras,
Fiat lux, nunc et semper!
Maintain the pattern. While reciting, visualize the magical pattern for the spell. Imagine light flowing from your horn like ripples on a pond, dispersing the darkness.
I stare at the incantation, my eyes narrowing. The text continues to explain how specific patterns and words influence the outcome, but my attention is stuck on that block of Ancient Equestrian.
"Are you kidding me?" I mutter, running a hoof down my face. Latin. It's basically Latin. And not only do I not know Latin, but the idea of chanting this kind of thing while keeping an intricate mental image and the desired result in mind is… daunting.
I glance at the example for the light spell again.
Lux vera, domina luminis... Yeah, no. There's no way. Not a chance. I shake my head, closing the book for a moment as I process.
"I'm so screwed," I say quietly to myself, the words echoing faintly in the empty library.
But as much as I want to give up, I can't. Sweetie Belle is expecting a tutor, and Rarity's expecting me to deliver. I reopen the book, skimming for shortcuts or anything that might make this process simpler. Maybe if I simplify the incantation, or fake my way through with basic telekinesis...
I sigh, grabbing
Practical Spells for Beginners next. There has to be a way to make this work—or at least look like I know what I'm doing.
I pull the book closer, flipping through its pages. At first glance, it seems less dense than the last book, with diagrams and step-by-step instructions sprinkled throughout the text. Maybe this will be easier to follow.
My optimism is short-lived.
About halfway through, I come across a section titled "Basic Beam Spells." Intrigued, I stop and start reading. The introduction explains that beam spells are a foundational part of unicorn magic, useful for everything from clearing debris to self-defense. A footnote mentions that even foals can master the basics with enough practice.
Sure. Sounds simple enough.
Then I see the incantation.
Basic Beam Spell Incantation:
Ignis caelestis, fulgur mortis,
Percute inimicum meum!
Vis tua devastet,
Fiat ruina, nunc et semper!
I blink at the words, my brow furrowing.
Ignis caelestis? Fulgur mortis? What the hell does any of this mean? I don't speak Latin—Ancient Equestrian, whatever—and I'm pretty sure just trying to pronounce it would tie my tongue in knots. The chant is accompanied by a diagram labeled "Visualization Pattern," but while less intricate it makes my head hurt just thinking about the mental multitask.
I stare at the page for a long moment, my hoof hovering above it as if that'll help the words make sense.
"Nope," I mutter, slamming the book shut. "Absolutely not."
I lean back in the chair, letting out a frustrated sigh. These spells are ridiculous. Chanting in a language I don't understand while mentally juggling patterns while imagining the effect? There's no way Sweetie Belle—or anyone, for that matter—could pick this up easily.
"How the hell did they discover this?" I mutter, rubbing my temples. "What's next? Expecting me to recite the entire periodic table in rhyme?"
I glance at the stack of books, my annoyance bubbling over. It's clear that if I'm going to teach Sweetie Belle anything, it won't be from these overcomplicated rituals. I don't even know how much of this is necessary and how much is tradition. What I do know is physics—and maybe that's enough.
I shove the books aside and rest my head on the table, staring at the carved ceiling of the library. Teaching Sweetie Belle magic is starting to feel less like a task and more like an elaborate game of bluffing my way through the impossible.
"Alright," I say quietly, more to myself than anything. "If the books won't help, we'll do this my way."
I gather up the books in one telekinetic sweep, stacking them carefully on the table. For a moment, I hesitate, the guilt nagging at me.
Am I really about to teach Sweetie Belle how to hack magic with physics? A grim chuckle escapes my throat. At this point, I don't see any other option.
Sliding the pile of tomes into the crook of my foreleg, I head for the door. I've already signed them out, so there's no harm in taking them with me.
I'll bring them back... eventually. The sun outside is lower in the sky than I expect, painting the library's interior with deep orange light. A reminder that time's running short.
Stepping onto Ponyville's streets, I make my way back toward the inn. The bustle of the day has died down to a mellow buzz, ponies finishing their final errands or heading home for supper. My hooves feel heavy with each step, the stack of books pressing against my chest like the weight of my half-baked plan.
It's not that I'm proud of conning Sweetie Belle—or anypony else. But at the end of the day, I'm not some arcane wizard who can chant Latin phrases and make energy beams shoot out of my horn. I'm a guy who fiddles with atoms by brute force and calls it "magic," and so far, I've managed to stay afloat.
At the inn, the familiar smell of bread and porridge greets me as I slip inside. The innkeeper offers a polite nod, and I return the gesture, heading straight upstairs without a word. My room is dim, the curtains drawn against the setting sun. Perfect for the mood I'm in.
I set the books on the small desk in the corner, staring at them for a moment.
You're really gonna teach her this half-assed approach? She deserves the real thing, right? My conscience nags. But survival instincts roar back:
You don't know the real thing. And you can't afford to look incompetent.
"Right," I mutter, kicking off my hooves to peel away the day's tension. "This'll have to do."
I collapse onto the bed, ignoring the faint creak of the mattress. My eyelids feel heavy as I think of tomorrow—of telling Sweetie Belle that magic doesn't have to be all chants and patterns if you understand the underlying rules of the universe.
Sort of. The thought tugs at my guilt again, but the exhaustion wins out.
Show must go on, I remind myself, letting my eyes drift shut. And with that, I sink into uneasy sleep, the looming task of faking magic mastery never quite leaving my mind.
The next morning, I drag myself out of bed, the remnants of a restless night clinging to my mind. I'm already anxious about the upcoming lesson with Sweetie Belle, even though I know I'm probably overthinking it. I force myself to get dressed, grab my books and coin pouch, and head downstairs to breakfast.
The same bland porridge and stale bread greet me. I force down the food, but it feels like lead in my stomach. My mind is buzzing with thoughts of what I'm about to do, and I can't shake the feeling that I'm walking into a mess of my own making. What if she doesn't get it? What if I screw it all up? What if she starts asking questions I can't answer?
"Stop it," I mutter under my breath. "You've got this."
But the doubts won't go away. I finish my breakfast in silence, paying the innkeeper, and then make my way back to my office. The walk feels longer than usual, the weight of what's coming pulling at my every step.
As I approach Town Hall, I can't help but feel like an imposter. I've been faking it this whole time, and now I'm about to teach a filly how to do something that's supposed to be the realm of experts. I'm not an expert. Hell, I don't even understand magic the way these ponies do.
I open the door to my office and step inside, trying to shake off the nervous energy. The desk is as empty as I left it, but it feels like the room is closing in around me. I glance at the clock—still a little bit of time before Sweetie Belle is supposed to arrive.
I sit at my desk, staring at the stack of books I checked out yesterday. I can't help but wonder if I should just throw in the towel, give her a refund, and walk away. But then I remind myself of the fifty bits an hour. That's too much money to pass up, and if I don't at least try, I'll regret it.
I rub my temples, taking a deep breath. "Focus, Flux. You can do this."
I glance at the door as it opens. It's almost time.
I sit behind my desk, tapping a hoof against the wood in a feeble attempt to steady my nerves. The morning sunlight filters through the window, highlighting the neat stack of books I borrowed from the library. I've already flipped them open and skimmed random pages, pretending I'm doing last-minute prep. But really, I'm just hoping things won't fall apart the moment we start.
My ears perk up at the sound of soft voices outside the door. A moment later, the doorknob turns, and in steps Rarity, her mane styled to perfect coils, followed by a bright-eyed Sweetie Belle. The filly's gaze sweeps the room, and her face lights up with excitement. I notice, with a touch of relief, that the younger ponies don't have those unsettlingly large, veiny eyes. Hers look downright normal in comparison.
"Kinetic Flux," Rarity says, offering a polite nod. "I've brought Sweetie Belle for her first lesson. She's been absolutely buzzing about it all morning."
Sweetie Belle bounces on her hooves, her smile nearly splitting her face. "Hi, Mr. Flux! I'm so excited to learn magic from you!"
I force a reassuring grin. "Good morning, Sweetie Belle. Happy to have you here." My pulse throbs in my temples as I glance at Rarity. "Thanks for bringing her by. You can, uh, leave her with me now if you want."
Rarity tilts her head, a touch of concern in her eyes. "Are you certain you don't need any assistance? I've studied spellcraft myself—"
"No, no," I cut in, perhaps a bit too quickly. "I appreciate the offer, but I've got a lesson plan ready. She's in good hooves."
She hesitates for a moment, clearly torn between her protective instincts and her faith in my so-called expertise. But Sweetie Belle is practically vibrating with excitement, and I think that sways Rarity's decision.
"Very well," she says, pressing a gentle hoof to her sister's shoulder. "Behave yourself, Sweetie. Listen closely to everything Mr. Flux says."
"I will!" Sweetie Belle chirps. "Thanks, Rarity!"
Rarity offers a final nod to me and glides out the door, shutting it softly behind her. The instant she's gone, I let out a long, silent exhale and turn my attention back to Sweetie Belle.
Sweetie Belle all but vibrates with excitement once Rarity leaves. She's practically bouncing on her hooves, her eyes sparkling in the morning light. I can almost feel her enthusiasm crackling in the air.
"So," I say, trying to sound confident. "You want to learn some spells?"
She nods so hard her curly mane bobs around her face. "Uh-huh! But not just
light spells, or
beam spells. I wanna do…" She frowns in thought, then brightens. "
Illusions! Like, I want to cast real illusions—fake objects and shapes and stuff that can move around. Wouldn't that be cool?"
I blink, my mind scrambling for a response.
Illusions, of course. Because a simple glowing orb wasn't intimidating enough. "Illusions, huh?" I echo, forcing a small smile. "That's… an interesting choice. What kind of illusions?"
She hops in place, eyes shining. "I dunno! Maybe I can make little creatures appear and run around, or make a big scary dragon that roars!" She rears up on her hind legs, trying to look fierce, then giggles. "I just think illusions are super fun. It's like drawing, but with magic!"
Drawing with magic. Right, I think, ignoring the weight in my stomach. Illusions in the books I'd skimmed were covered by several pages of complicated incantations and very meticulous visualization patterns. Not exactly a beginner's challenge. And definitely not something I can whip up with half-baked "atom manipulation." But I can't just say no, not now.
"Okay," I say slowly, tapping a hoof on the desk. "Illusions. That's our goal. But illusions can be tricky—"
"I know," she interrupts, her voice earnest. "But I really, really wanna learn."
I can't help but smile at her enthusiasm.
At least she's got heart.
"Alright," I say, trying to keep my smile steady. "Illusions are the goal, but we're going to start with something simpler—something that'll help you build up to that."
Sweetie Belle tilts her head, her ears perking up. "Like what?"
I glance around the office, searching for inspiration. My eyes land on the empty glass sitting on the edge of the desk. "Water," I blurt, grabbing the glass with my magic and setting it in front of her. "We're going to start with water."
"Water?" she repeats, her nose scrunching. "How's that supposed to help with illusions?"
"Trust me," I say, though even I'm not convinced. "It's about understanding how magic interacts with, uh, the physical world."
She blinks up at me, clearly confused. I sigh inwardly and press on. "Okay, so, here's the thing. Magic can… influence stuff. Objects, the air, even the water in this glass. But to do it, you have to understand what that stuff is made of."
"What it's made of?" she asks, leaning closer. "It's made of water!"
"Right, but water's made of even smaller things," I explain, my words stumbling as I try to break down physics for a filly who probably thinks the world runs on enchantments and fairy dust. "Imagine, uh, tiny little pieces so small you can't see them. They're called atoms. Everything—water, air, even you and me—is made of them."
Sweetie Belle stares at the glass like it's suddenly become the most fascinating thing in the world. "Atoms?"
"Yep," I say, nodding. "And they're always moving. In water, the atoms kind of slide around each other, like a big dance. When you heat water, the atoms move faster, and when you cool it, they slow down and stick together to form ice."
Her eyes widen. "Whoa. So you can use magic to make them move?"
"Exactly," I say, seizing the opportunity. "Here, let me show you."
I focus on the glass, my horn buzzing faintly as I reach for the water inside. My magic wraps around it, nudging the atoms into faster motion. The glass begins to fog slightly as the water warms, and a thin wisp of steam curls upward.
"See that?" I say, trying to keep my tone steady even as my horn starts to ache. "That's me making the atoms move faster. Now watch this."
I release the heat and focus instead on slowing the atoms down, nudging them into a tighter arrangement. The surface of the water shimmers, and a thin layer of ice begins to spread across the top.
Sweetie Belle gasps, clapping her hooves together. "That's amazing!"
"Not bad, right?" I say, leaning back and shaking off the effort. "Now, this isn't a spell you'll find in a book—it's more about understanding how things work and using your magic to nudge them the way you want."
She looks up at me with wide, sparkling eyes. "Can I try?"
I hesitate, glancing at the glass. "Alright," I say finally. "Just think about the atoms dancing, and try to make them move faster."
Sweetie Belle nods eagerly, her horn lighting up with that soft green glow. I watch as the light flickers and pulses, the water trembling slightly. It doesn't warm—not yet—but the focus on her face tells me she's giving it her all.
"Good," I say, keeping my tone encouraging. "Just keep trying. It's all about practice."
As she works, my mind spins with ideas. If I can teach her to manipulate the basics—temperature, motion, even patterns in water or air—it might just be enough to keep her occupied long enough to figure out physics based illusions.
Sweetie Belle's horn flickers, her face scrunched in determination as she stares at the water. The surface trembles faintly, the faintest ripple spreading across it, but nothing more happens. Her jaw tightens, and the glow around her horn flickers dangerously close to sputtering out.
"Ugh!" she finally groans, stomping a hoof against the floor. "It's not working! I'm trying to make the atoms dance, but they're just sitting there like a bunch of lazy lumps!"
I bite back a laugh, not wanting to make her feel worse, but it's clear she's starting to get frustrated. "Alright, hold on," I say, raising a hoof to stop her. "Let's take a step back."
Her ears droop, and she looks up at me, her big green eyes filled with disappointment. "What am I doing wrong?"
"You're not doing anything wrong," I assure her quickly. "This is tricky stuff. Honestly, I should've explained something important earlier."
Her ears perk up slightly, but she still looks skeptical. "What? There's something else?"
I levitate a quill from my desk and grab a blank sheet of parchment. "Okay," I begin, sketching a quick rectangle to represent the glass. "The water in the glass isn't just one solid block—it's made up of lots of tiny layers, all stacked on top of each other."
Sweetie Belle leans closer, watching intently as I add lines to divide the rectangle into thin sections. "Layers?"
"Right," I say, nodding. "And when you're trying to make the water heat up, you can't just focus on all of it at once. It's too much to handle. Instead, you work on one tiny bit at a time—just a thin slice—then move on to the next."
Her brow furrows. "So I have to do it piece by piece?"
"Exactly," I say, tapping the quill against the parchment for emphasis. "You're kind of like an artist, adding a little color here, a little there, until the whole thing comes together. In math terms, it's called integration—basically adding up all the little parts to make a whole."
Sweetie Belle blinks, her expression a mix of curiosity and confusion. "Integration?"
I grin. "It sounds fancy, but really, it just means taking small steps. Focus on heating one thin layer of the water, then move to the next. Your magic is like a paintbrush—you don't have to cover the whole canvas at once."
Her eyes light up, and she nods quickly. "Oh! I think I get it now! Can I try again?"
"Of course," I say, motioning toward the glass. "Just remember: small steps. One layer at a time."
She takes a deep breath, her horn glowing faintly once more. This time, the glow is steadier, more focused, and the water ripples slightly under her magic. It's not much, but I can tell she's getting the hang of it.
"Good," I say, keeping my voice calm and encouraging. "Just keep at it. You're doing great."
Sweetie Belle grits her teeth, her tongue poking out in concentration as she continues to work. I lean back in my chair, watching her progress, and make a mental note:
Next time, explain the fundamentals before jumping into the hard stuff. This actually be harder than I thought.
As Sweetie Belle sits hunched over the glass, her horn glowing faintly as she focuses on heating the water layer by painstaking layer, I lean back in my chair. My mind drifts, partly out of boredom, but mostly out of sheer panic about what I've gotten myself into.
Illusions.
The word echoes in my head, taunting me. How the hell am I supposed to teach illusions when I don't know how to cast them myself? The books made it look like an art form, requiring a deep understanding of spell patterns, and fluency in some ancient language I can barely pronounce.
But then there's
my magic—half-science, half-spite, and no ancient incantations required. If I can manipulate atoms to heat or cool water, could I… manipulate light itself?
I grab a pinch of dust from the desk, my telekinesis holding it aloft. It dances in the faint glow of my horn, particles drifting aimlessly. My thoughts turn to the Doppler effect—a concept I learned back in my mechanical engineering days. Light changes color when its wavelength is compressed or stretched. If I can move these dust particles fast enough, maybe I can shift the colors of the light scattering off them.
The problem? Speed. To shift something from green to blue, I'd need the dust particles to move toward the observer at around 33,000 meters per second. That's
fast. Too fast for comfort.
I glance at Sweetie Belle, still engrossed in her task, then back to the dust.
No harm in experimenting, right? I focus, wrapping the particles in a tight telekinetic field. With the faintest nudge, I start oscillating them, pulling some forward and pushing others back.
At first, nothing happens. The dust just vibrates faintly, like an unimpressive shimmer in the air. I grit my teeth and increase the speed. The particles hum, a faint flicker of light catching my eye. A tiny patch of the brown dust glows a dark yellow, then shifts toward a greenish yellow.
"Holy crap," I mutter under my breath. The light wave compression is working, though the effect is faint.
But then, I push a little too hard. The particles oscillate wildly, and a sharp hiss fills the air as the dust heats up. I jerk my magic back, letting the particles scatter harmlessly onto the desk. My heart pounds as I glance at Sweetie Belle, hoping she didn't notice.
No reaction. She's still focused on the water.
Okay, I think, wiping sweat from my brow.
Lesson learned. Vibrating particles at that speed isn't just tricky—it's dangerous. If anyone touched something like that, they'd probably end up with a nasty burn or worse.
Still, the principle is sound. By carefully oscillating the particles, I could theoretically create a spectrum of colors, blending them into an illusion. The image wouldn't be solid—it'd be nothing more than light and dust—but it'd look convincing enough. The only downside? It'd take intense focus to pull off without frying the particles—or myself.
My horn tingles faintly from the exertion as I lean back in my chair, staring at the scattered dust. Sweetie Belle sighs, drawing my attention. She's made some progress—the water ripples faintly, and there's a small wisp of steam curling from the surface.
"I think I'm getting it," she says, glancing up at me with a determined smile.
"Good," I say, forcing myself to sound encouraging. "Keep at it. You're doing great."
As she goes back to work, I stare at the dust and let out a slow breath.
Alright, Flux. You've got a rough idea for illusions. Now you just have to flesh it out and figure out how to explain it to a kid without blowing yourself—or her—up in the process.
The faint hum of my horn fills the office as I focus on the dust particles, trying to push them into a more stable oscillation. Sweat beads on my forehead as I carefully manipulate the tiny grains, aiming for a larger, more solid figure. The faint green light flickers and shifts, threatening to stabilize into something more defined.
Then, a small hoof nudges my side.
"Mr. Flux?"
"Not now," I mutter, gritting my teeth as the dust quivers under my telekinetic grip. But the nudge comes again, firmer this time, and my concentration wavers. The flickering light vanishes in an instant, and the dust scatters harmlessly onto the desk.
"What?" I snap, turning to Sweetie Belle. She's staring at me with wide, innocent eyes, and a sheepish smile on her face. I immediately regret my tone. "Sorry, Sweetie. What's up?"
She points to the glass on her desk. "I did it! Look!"
I glance over, expecting to see a small wisp of steam or maybe a faint ripple in the water. Instead, the glass is empty. Not a single drop remains. The faint smell of scorched minerals lingers in the air, and the glass itself feels warm to the touch.
"You… evaporated it?" I ask, blinking in surprise.
She nods, her smile widening. "Yeah! I think I got the hang of it. It was tricky, but once I started thinking about layers—like you said—it just worked!"
I glance at the clock on the wall. Two hours have passed since we started. My stomach sinks as I realize how much time I've spent fumbling with my own experiments. Rarity is due back any minute, and I don't have much to show for it.
"Great work, Sweetie," I say quickly, trying to mask my panic. "But, uh, we need to set this up again before your sister gets here."
Her smile falters. "Why? I thought we were done."
I raise an eyebrow "Don't you want to show off what you've learned to your sister?" I say, trying to sound encouraging. "You've worked really hard for this."
Sweetie Belle brightens instantly. "Oh! Yeah, I do! She's gonna be so impressed!"
I give her a quick nod and step back as she refocuses on the glass. Her horn glows faintly as she walks to the well just outside town hall. By the time the door creaks open and Rarity steps into the office, the glass is already full and Sweetie is waiting impatiently.
"Good afternoon!" Rarity announces, her tone cheerful. She glances at Sweetie Belle, then at me. "I trust the lesson has gone well?"
Sweetie grins, practically bouncing on her hooves. "Rarity, look! Watch this!"
I stand off to the side, doing my best to look casual while internally praying this goes smoothly. Sweetie Belle's horn brightens, and the water in the glass begins to bubble. In a few moments, it's evaporated into thin air, leaving behind only the faintest wisp of steam.
Rarity's eyes widen. "Sweetie Belle!" she gasps, stepping closer. "That's—why, that's incredible! I can't believe it!"
Sweetie beams under the praise. "Mr. Flux taught me how to do it! It's a warming spell!"
Rarity turns to me, her expression a mix of surprise and gratitude. "I must admit, I had my doubts when Sweetie told me she wanted to start learning under you. You're not the first tutor I've hired for her, you know."
I blink, caught off guard. "I'm not?"
She shakes her head, her perfectly styled mane swaying with the motion. "No, you're the third—or is it the fourth? Either way, none of the others managed to get her past basic levitation." She glances at Sweetie Belle with a soft smile. "But now look at her! A proper spell!"
I stare at Sweetie, who's still grinning ear to ear, and feel a pang of guilt. I didn't know she'd struggled so much, and here I've been teaching her a workaround. Still, a spell's a spell, right? And it's not like I can back out now.
"Well," I say, scratching the back of my neck. "She's a quick learner. Once she understood the fundamentals, the rest just clicked."
"Quick learner, indeed," Rarity says, turning to Sweetie. "Darling, I'm so proud of you! This is a marvelous step forward."
Sweetie blushes, her smile stretching even wider. "Thanks, Rarity!"
Rarity turns back to me, her expression serious but kind. "You've done more than I'd hoped, Mr. Flux. Sweetie Belle couldn't have found a better tutor."
I force a modest smile, trying to ignore the uneasy feeling in my chest. "Just doing my job."
For now, at least, it seems to be working. But as Rarity gathers Sweetie Belle to leave, her praise ringing in my ears, one thought keeps nagging at me:
how long can I keep this act going?
The office grows quiet again after Rarity and Sweetie Belle leave, the faint sound of their hoofsteps fading into the distance. I exhale, letting my posture sag as the weight of the past few hours presses down on me. Sweetie's enthusiasm is great and all, but the stakes feel like they're climbing higher with every moment.
I glance at the stack of books on my desk, then at the floating speck of dust in my telekinetic grasp. The illusion spell still nags at me. If I'm going to teach Sweetie anything remotely close to what she wants, I need to figure this out.
The idea of color manipulation keeps swirling in my mind, and I decide to take another crack at it. Pulling out a fresh sheet of parchment, I start scribbling notes. The concept of treating oscillations like pixels keeps coming back to me. Each oscillating particle could act as a single "pixel," with its frequency determining the color. If I think of the dust cloud as a screen, then shifting its oscillations in coordinated patterns might produce a recognizable image.
At least, that's the theory.
I set the parchment aside and refocus on the speck of dust. My horn hums faintly as I extend my telekinetic field, gathering more particles into a small, loose cloud. The faint smell of disturbed dust fills the air, tickling my nose, but I press on. I divide the cloud into a mental grid, each section representing a "pixel," and try to control their oscillations individually.
"Alright," I mutter to myself. "Let's start simple. Just one color shift."
I focus on a single "pixel," increasing the frequency of its oscillation to push its light toward the blue spectrum. The change is faint, barely perceptible, but it's there, a pale greenish hue. Encouraged, I try to do the same for a cluster of pixels, coordinating their oscillations to create a uniform color.
The buzzing in my horn intensifies as I scale up the effort. My mind races to keep track of each "pixel," dividing my focus into dozens of tiny threads. It's overwhelming, like juggling far too many balls at once, but the visualization of a screen helps keep me grounded. Slowly, the dust cloud begins to shimmer faintly, a gradient of faint green rippling across its surface.
"Progress," I whisper, a small smile tugging at my lips.
Emboldened, I try to add a second color. The process is painstaking—adjusting the oscillations, keeping the grid in mind, and ensuring the transitions between colors are smooth. Sweat beads on my forehead, and my horn throbs with effort, but I keep going. The green fades into blueish green, then back again, the dust cloud rippling like a shifting aurora.
For a moment, I lose myself in the work. The world outside the office fades away, replaced by the mental grid of oscillations and colors. The particles dance in my telekinetic field, responding to my every adjustment. It's mesmerizing, almost hypnotic. And not giving off as much heat as expected.
The sound of hoofsteps outside breaks my concentration, and the shimmering cloud collapses into a dull, unremarkable puff of dust. I glance at the door, straightening up as I prepare for whatever comes next.
"Alright," I mutter, brushing dust from my desk. "Let's see who's next."
The hoofsteps grow louder, and a moment later, the door swings open to reveal a broad-shouldered stallion with a scruffy orange coat and a mane that looks like it's seen better days. His reflective vest and tool belt leave little doubt about his profession. The stallion hesitates in the doorway, his bloodshot eyes darting nervously around the room.
"Uh… you the Town Mage?" he asks, his deep voice rumbling like a distant thunderstorm.
"That's me," I reply, gesturing for him to come in. "What's the problem?"
The stallion steps inside, his movements stiff, like he's trying to carry the weight of the world on his back. He takes a seat across from me, his hooves fidgeting against the edge of the desk.
"It's my crew," he says after a long pause. "They think we've been… hexed."
I barely manage to suppress an eye roll. Hexed. Of course. It's always a hex, a curse, or some kind of ancient magic gone awry. At this point, it's almost routine.
"Go on," I say, keeping my tone neutral. "What makes them think that?"
The stallion shifts uncomfortably in his seat. "It's the accidents," he says, lowering his voice. "We've had more than a few lately. Ponies falling, tools breaking, wagons overturning… It's bad. Real bad."
"How bad?" I ask, though I already have a suspicion this has less to do with magic and more to do with common sense.
"Bad enough," he mutters, not meeting my eyes. "We've lost a few ponies. Injuries, too. Everypony's spooked. They're saying it's a curse."
"Uh-huh," I say, leaning back in my chair. "And you're sure it's a magic issue?"
The stallion looks up, his expression equal parts frustration and desperation. "What else could it be? We've been building for years, and this kind of thing never happened before."
I nod slowly, forcing a thoughtful look. "Alright," I say, trying not to sound too skeptical. "I'll take a look. Where's the site?"
"Just outside town, near the riverbank," he says, visibly relieved that I'm taking him seriously. "I can show you the way."
"Fine," I reply, standing up and grabbing my pouch of bits. "Lead the way."
As we step out into the sunlight, I fall into step beside him. He starts explaining bits and pieces of the site's history—how they've been trying to finish a new bridge for months, how things started going wrong a few weeks ago, how the workers are convinced something unnatural is at play.
I listen, nodding along at the right moments, but my mind is already racing ahead. Hexes and curses, huh? Let's see what's really going on.
The walk to the construction site isn't long, but the atmosphere changes as soon as we approach the riverbank. The sounds of hammering, sawing, and shouted instructions fill the air, accompanied by the occasional thud of something heavy hitting the ground. The bridge looms ahead—a skeletal structure of wood and stone spanning the river, its incomplete frame stark against the clear blue sky.
As we draw closer, I start to notice the workers. Or rather, what they're
not wearing. No hardhats, no protective gear, no sign of safety measures whatsoever. Ponies scramble up wooden scaffolding that looks like it was thrown together in a hurry, balancing precariously on beams with no harnesses or guardrails. Tools dangle from belts without lanyards, swinging wildly as their owners move. A pony pushes a wheelbarrow along a narrow plank, wobbling dangerously close to the edge.
I blink, my stomach tightening. It's not a construction site—it's a disaster waiting to happen.
The stallion beside me gestures toward the activity. "That's the bridge. We're trying to get it done before the rainy season, but… you see what I mean, right? Ponies keep falling, things keep breaking. It's like something doesn't want this bridge finished."
I scan the area, watching as a unicorn levitates a massive stone into place over two earth ponies wrestle with ropes to stabilize it. The stone tilts precariously, and my breath catches until it finally settles into position.
"Yeah," I mutter, forcing my tone to stay neutral. "I see what you mean."
In the back of my mind, though, I'm screaming. This isn't a hex. It's a complete lack of safety precautions. No wonder they're having accidents—half these ponies look like they're one misstep away from disaster.
I step closer to the bridge, my hooves crunching against the gravel. A pony perched on a high beam glances down at me, then immediately shifts his focus back to his precarious task. I spot a ladder propped up against the side of the bridge, its base balanced on uneven ground. Another pony climbs it with a hammer clenched in his teeth, the whole structure wobbling dangerously under his weight.
"Alright," I say, turning to the stallion who brought me here. "Give me a second to think. Let's start with the basics."
He nods eagerly, clearly expecting me to whip out some kind of magical diagnosis. Meanwhile, I'm already trying to figure out how to explain "this is all your fault" without getting run out of town.
I clear my throat, gesturing toward the precarious mess of activity on the bridge. "Alright," I say, keeping my tone even. "Here's what I'm seeing. These accidents? They're not just bad luck or a curse. It's… a disruption of the natural magical balance."
The stallion beside me squints. "Disruption of what now?"
I resist the urge to rub my temples. "Look, when you're working on something this big, especially something that spans a river—a liminal space, if you will—it's crucial to maintain a set of, uh, magical rituals to ward off bad energy."
"Rituals?" he echoes, his brow furrowing.
"Yes," I say, nodding firmly. "I call them the Four Pillars of Safety Magic: Oathbinding, Shielding, Hexproofing, and Ascension. Together, they create a protective barrier against misfortune. Or OSHA for short."
The skepticism in his eyes deepens. "That sounds… complicated."
"It's really not," I insist, stepping closer to the bridge. "Let me explain."
I point to the scaffold where a worker is wobbling on a beam, balancing a precarious stack of tools. "Oathbinding is the first step. It's a ritual to ensure every worker is dedicated to their task—like tying their tools to their belts so they don't fall and invite bad energy. Simple, but critical."
The stallion tilts his head, watching the wobbling worker. "Alright… what about Shielding?"
"That's the second ritual," I say, pointing to the scaffolding itself. "Shielding is about protecting the body. Hardhats, for example, are enchanted barriers against curses falling from above. You've got ponies up there with no protection. That's practically begging for trouble."
He frowns. "Hats, huh?"
"Yes," I say, biting back my frustration. "Hats. And then there's Hexproofing." I motion toward the ladder leaning against the bridge. "That's about stabilizing your foundations. Ladders, scaffolding, anything you climb on—it needs to be properly blessed. No wobbles, no loose planks. Otherwise, you're amplifying the negative energy."
He eyes the ladder skeptically. "And the last one?"
"Ascension," I say, lowering my voice like I'm revealing some ancient secret. "This is the most important ritual. It's about creating a safe passage to higher ground. Ropes, harnesses—anything that prevents a pony from falling. If you don't complete Ascension properly, the whole structure is vulnerable to chaos."
The stallion stares at me, his face a mix of confusion and reluctant belief. "So… you're saying these rituals will stop the curse?"
"Absolutely," I say, nodding gravely. "But they only work if you follow them consistently. Half measures won't cut it. You need to implement all four pillars for the magic to take effect."
He rubs his chin, looking back at the bridge. "Alright, Mr. Flux. If you say so. But how do we start?"
I suppress a smirk. "Leave that to me. First, go get some hardhats and ropes. You can't cast magic without the proper tools."
I stand at the edge of the construction site, doing my best to look like I know what I'm doing. The workers glance at me with a mix of curiosity and skepticism, their eyes darting to their forepony for confirmation. The stallion gives a short nod, and they reluctantly start paying attention.
"Alright, everypony," I say, raising my voice over the noise of hammering and sawing. "First things first—Oathbinding. This ritual ensures that no tools are lost to the void—uh, or the river."
I grab a length of rope from a nearby pile and hold it up with my telekinesis. "Every tool needs to be tied securely to your belts. If it falls, it takes your focus and the structure's energy with it. That's how bad luck gets in."
One of the workers, a gray-coated stallion with a scuffed mane, raises a hoof. "Uh, you're saying my hammer's cursed if I drop it?"
I nod solemnly. "If it falls and disrupts the ritual, yes. Curses thrive on carelessness."
The workers exchange uneasy glances but start tying their tools with the ropes I pass around. One mutters something about "fancy unicorn nonsense," but I let it slide. Progress is progress.
"Next up—Shielding," I say, turning to the forepony. "This one's critical. Everypony needs a hardhat. No exceptions."
"What's a hardhat?," the forepony says, frowning. "Like a stone hat?."
This time I do actually groan. "If you don't know, then let's make them. Find some sturdy material—wood, metal, anything that can deflect falling debris—and fashion something protective for you're head. It doesn't have to be pretty, but it has to work."
The forepony grumbles but gestures for a couple of workers to start scrounging for materials. I turn to the rest of the crew.
"Hexproofing is next," I say, pointing to the scaffolding and ladders. "Check every plank, every joint, every rung. If it wobbles or creaks, it's inviting disaster. Secure it with nails, ropes, or whatever you have. This ritual is all about stability."
A few workers nod and begin inspecting the structure, their hooves knocking against the wood to test its strength. One finds a loose plank and hammers it down, muttering something about "keeping the magic happy."
"And finally," I say, gesturing to the workers climbing up the scaffolding, "Ascension. This is the ritual of safe passage. Ropes and harnesses for everypony working above ground. No exceptions. If you don't secure yourself, you're leaving the structure open to chaos."
The forepony raises an eyebrow. "We've never used ropes or harnesses before."
"And that's probably why you're cursed," I reply bluntly. "Trust me, you'll feel a lot less cursed when you're not dangling by a hoof."
The forepony glares but doesn't argue, which I take as a small victory. Slowly but surely, the site begins to transform. Tools are tied, scaffolding is reinforced, and makeshift hardhats appear on heads. It's far from perfect, but it's a start.
I step back, watching the workers move more cautiously, their actions deliberate and measured. "See?" I say, addressing the forepony. "The rituals are already taking effect. You're stabilizing the energy of the site."
The forepony scratches his head, eyeing the workers as they follow my instructions. "I don't know about energy, but I'll admit… things do look a bit safer."
"It's not just about looking safer," I say, keeping my tone steady. "It's about building a foundation of trust between the structure and the ponies working on it. That's how you ward off bad luck."
The forepony nods slowly, the skepticism in his eyes giving way to reluctant belief. "Alright, Mr. Flux. We'll give it a shot."
"Good," I say, stepping away. "Keep up the rituals, and I guarantee you'll see fewer… disruptions."
The forepony approaches me after the workers have started getting into the swing of the "rituals." His gruff expression softens slightly as he reaches into a small pouch tied to his belt and pulls out a handful of bits. "Here," he says, holding them out to me. "For your time."
I glance at the coins—a neat stack of fifty bits. It's more than I expected, and honestly, more than I feel I deserve for turning basic safety into a magical charade. Still, I take the coins with a small nod, slipping them into my pouch.
"Thanks," I say, keeping my tone professional. "Remember, it's not just about the rituals. Consistency is key. If you stop following the practices, the bad luck might come back."
The forepony frowns slightly but nods. "Yeah, yeah. We'll keep it up. Just hope it works."
"It will," I assure him, though part of me cringes at the dishonesty. "Good luck with the rest of the project."
He grunts in acknowledgment and turns back to the site, barking orders at the workers to keep the "magic" going. I watch for a moment longer, then turn and make my way back toward town.
As I walk, the weight of the bits in my pouch is a comforting reminder of my progress. I still feel a twinge of guilt for essentially duping them, but at least they're safer now. If calling it magic keeps them from breaking their necks, it's worth it, right?
The mid-morning sun glints off the cobblestones as I approach the town square, my thoughts drifting to lunch. With fifty more bits, I'm sitting at a respectable 349. Maybe I'll splurge on something better than the usual sandwich. Or maybe I'll just hold onto it—Celestia knows what kind of expenses might come up next.
For now, though, it's time to get back to the office. No doubt another "magical emergency" is waiting just around the corner.