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Yoh Asakura Quest (Shaman King)

Might want to have better social link with Tamamo too, we don't know how a sudden influx of power might change her.
 
one thing to remember is that we're going to go searching for the remaining Sessho-seki stone pieces next year. Might want to update our Oversoul then.
Why would we want to do so? It's better to do it when our imagination is higher, the Sessho Seki are for pure raw power output.
 
Why would we want to do so? It's better to do it when our imagination is higher, the Sessho Seki are for pure raw power output.
Because questing for the pieces might involve combat events? and having an oversoul that gives us more options that just hitting it with the mirror could be useful, not to mention i still want us to utilize Unity so we can start getting skills from Tamamo.
 
Because questing for the pieces might involve combat events? and having an oversoul that gives us more options that just hitting it with the mirror could be useful, not to mention i still want us to utilize Unity so we can start getting skills from Tamamo.
In my opinion it would be a waste of an action now, the sessho seki are either guarded by demons that we can easily subjugate or humans norwhere our strength.
We will see the next turn what to do I suppose.
 
Vote Tally : Yoh Asakura Quest (Shaman King) | Page 48 | Questionable Questing
##### NetTally 1.1.10
[X] Train Art
No. of Votes: 16
[X] Train in Bajiquan
No. of Votes: 15
[X] Train in Piguaquan
No. of Votes: 13
[X] Train Furyoku Levels
No. of Votes: 12
[X] Lessons with Tamamo
No. of Votes: 12
[X] Work as a Diviner
No. of Votes: 7
[X] Mountain Climbing
No. of Votes: 2
[X]Rich Etiquette
No. of Votes: 1
[X]oversoul
No. of Votes: 1
[X] Train in Itako Shamanism
No. of Votes: 1

Total No. of Voters: 16
 
You should probably use the option that counts all the options put by a single user instead of the single vote.
This time is fine since the votes are anyway right, but the next option is better to have it tidier.
 
Roll 1d100+10 for Art, 1d100+13 for Bajiquan, 1d100+13 for Piguaquan, 1d12 for Furyoku and 1d100+11 for effectiveness, and 1d100+10 for Tamamo's lessons.
 
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I'll try for art then, I'm not normally on to roll for stuff.
[dice]2986[/dice]
 
... And now I remember why I decided not to try the last time I rolled for something. I think I'll just keep passing rolls here from now on, my luck kind of sucks in this quest.
 
I don't know how to make a rolz room, so I'd have to just use the general one. I'm kind of leery to do that after Vale mentioned they can get unlucky.

Edit: Did a test roll in the Asakura quest room, got a 25. So it really wouldn't have been much better.
 
... And now I remember why I decided not to try the last time I rolled for something. I think I'll just keep passing rolls here from now on, my luck kind of sucks in this quest.
I don't know how to make a rolz room, so I'd have to just use the general one. I'm kind of leery to do that after Vale mentioned they can get unlucky.

Later on if you have another topics, please just combine it, do not double posting as it is.

Anyways, Rolz custodian Gods usually much more forgivable than forum RNGods.
 
When you guys are done rolling tell me the highest rolls with the modifiers attached, which I edited in just now.
 
I'll write them guys, leave it to me.
Art: 89+10=99
Bajiquan: 87+13=100 Crit: 52+13= 65
Piguaquan: 87+13=100 Crit: 54+13=67
Furyoku Times: 4
Furyoku Effectiveness: 97+11= 108 Crit: 4+11=15
Tamamo: 84+10=94
 
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When people are talking a lot like right now I'd rather just double post. It really isn't that bad, so why risk someone missing something I said and saying the same thing back? That gets annoying fast.
 
I'll write them guys, leave it to me.

There's a lot of crit in there. Both Kung Fu are crit, so I'll roll it again. (how is it that I got two same numbers, anyways?)

Edit :

Okay, the count for Kung Fu.

Bajiquan : 87+13=100, crit, roll again, got 52+13=65. Total 165

Paijiquan : 87+13=100, crit, roll again, got 54+13=67. Total 167
 
Also Furyoku was a crit. So 3/5 crits, maybe my low roll was just balancing the absurd luck we had? I'll tell myself that so I feel less guilty. Still going to try to remember not to roll in the future though, to much bad luck from me.

Edit: the / didn't type. Big difference between 3/5 crits and 35 crits.
 

If burning gives a plus modifier, you probably wants to roll it again. A bit of suggestion if you roll it again, how about not adding the modifier?

My instincts tells me adding modifiers sometime result in low number.
 
If burning gives a plus modifier, you probably wants to roll it again. A bit of suggestion if you roll it again, how about not adding the modifier?

My instincts tells me adding modifiers sometime result in low number.
Roll again what?
Anyway I'm writing the omake for art.
 
Introduction: Kaiga, The Art of Japanese Painting

The Kaiga is one of the oldest and most highly refined of the Japanese visual arts, covering a wide variety of genres and styles that have been often influenced by nearby cultures during the History, like the chinese one.

Subjects often seen are usually of religious theme, calligraphy of ideographs, or paintings about nature, especially birds, flowers and landscapes. A famous style borrowed from the chinese culture is the ink-wash painting, often seen in many Japanese Paintings.

However Japanese slowly changed these to let them become more suited to their own style, in other words the depiction of scenes from everyday life and narrative scenes that are often crowded with figures and detail.

Often one can consider the Japanese art as something akin to spiritual and mystic concepts, showing us beautiful rappresentations of nature that align itself with the ideals of balance typical of oriental religions or meditation.

Japanese Painting and Art are too much wide to be described in few words, but you can graps its basic concept, even if a little: at the end of the day it conveys, like other forms of art, the way one sees the world in order to share the ephimeral way one feels about what is around him.

To improve you need passion, to grow you need patience.
 
Introduction: Kaiga, The Art of Japanese Painting

The Kaiga is one of the oldest and most highly refined of the Japanese visual arts, covering a wide variety of genres and styles that have been often influenced by nearby cultures during the History, like the chinese one.

Subjects often seen are usually of religious theme, calligraphy of ideographs, or paintings about nature, especially birds, flowers and landscapes. A famous style borrowed from the chinese culture is the ink-wash painting, often seen in many Japanese Paintings.

However Japanese slowly changed these to let them become more suited to their own style, in other words the depiction of scenes from everyday life and narrative scenes that are often crowded with figures and detail.

Often one can consider the Japanese art as something akin to spiritual and mystic concepts, showing us beautiful rappresentations of nature that align itself with the ideals of balance typical of oriental religions or meditation.

Japanese Painting and Art are too much wide to be described in few words, but you can graps its basic concept, even if a little: at the end of the day it conveys, like other forms of art, the way one sees the world in order to share the ephimeral way one feels about what is around him.

To improve you need passion, to grow you need patience.
+5...to Kannushi :p
 

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