Fair enough. I did the edits in a hurry and tried to keep the text basically as you'd written it - not being Mary Shelley I'm not good at stitching together two completely different things and ending up with a living being.
The argument from length however seems a little bizarre. I understand that you like to keep an insanely impressive update schedule, but if necessary I'd prefer you to slow down and improve your quality.
I also took some time last night before going to bed to hunt through my bookcase for further examples on both sides of the debate. A Scanner Darkly, Philip K. Dick's best written work though it isn't my favourite, had
no uses of speech verbs other than said. On the other hand, PKD is a bit known for somewhat purple prose, you might say. Fair enough. Neal Asher, my go to fun but dumb author didn't really use much other than said in the bits of the Gabble that I flicked through, even for things being said by the Gabbleducks. George Orwell's Animal Farm didn't have much speech, but when it showed up it was with said. My old battered copy of the Iliad in greek that I quickly thumbed through confirmed that Homer only really used one word for speaking, and he was the master of making every single word count and using one where a lesser man would have used three. Then again, none of these are exactly masters of KISS. So let's go to the head honcho of KISS writing, good old Ernest Hemingway. I reread Big Two-Hearted River as a palette cleanse to get in the mood to do a proper rewrite of the opening of 351 with less purpleness, and the only modifier in the whole thing was one 'happily'. In The Sun Also Rises, he barely uses speech verbs at all, and when they do show up, guess what they are?
I also took the time to get in touch with a friend of mine who's an English Professor at Oxford University and asked them for their opinion on the matter. Their thoughts were that speech verbs (and indeed adjectives and adverbs and all the rest) get in the reader's way and draw attention to the author rather than letting the reader get absorbed. In a sense they prevent immersion because if you're busy thinking 'what a great metaphor' or 'man, what a lovely speech verb' you aren't thinking about the events of the narrative. Said is effectively invisible and doesn't get in the way.
With that said, here's a full rewrite of the opening of 351:
---===---
'There may be a solution,' Alexandria said. 'It is unlikely to be to everyone's taste.'
A hint of suspicion mixed in with worry from Taylor through the link. 'What is it?'
'We are aware of a parahuman with certain skills who might have some ideas on the subject.' Her gaze turned to Chevalier. From her position behind him, he wouldn't be able to see it. 'She is, however, insane. Very young. One of the few who perpetuate that myth about triggering young.'
HorrorTrepidation. Damn. We'd need to get Chevalier out of the room if we wanted to use her at all. 'What's her power?' I had to play along, pretend I didn't know the answer. Damn, damn, damn.
'Mostly a Thinker ability. It grants her a certain perspective on parahuman abilities she's been using to assist Eidolon. They've become rather close.'
'In effect, what you're saying is that we're calling in Eidolon and hoping he can pull out a power to sort this out?' Lisa's response seemed too rote to be her own, almost like she was reading it out of a book. Or, more likely off Alexandria, almost like I could off Taylor. I could almost understand why she found it eerie when we did it.
'Yes. It is certainly a better alternative than waiting for your Tinkers to undo this interaction. It has been going for - some time.'
A flash of an idea and a rise in confidence in Taylor had me quickly looking at her. I wouldn't ask her what her plan was in front of everyone, no matter how tempted I was.
'The other interactions are certainly more short lived,' Lisa said. 'Generally only the side effects last this long. That thing - it's a prismatic forcefield that's continuing to use up energy at what must be a pretty stupendous rate.'
'Y'know, sis.' I did my best not jump at Vicky's voice right next to my ear. 'I think you just set this up to get out of family dinner.' Turning to the rest of the group, she continued. 'I took a closer look at it. It isn't really moving, but it made a couple of grabs when I got closer. Enter at your own risk.'
'No weak points?' Taylor asked.
'It's not alive. Definitely one of Anima's constructs, from what I could tell. A lot of people are still alive in there, thankfully. Anima, Sabah, Dubstep. Couldn't ever sense GL, so he's probably somewhere in there too. Lots of injured. I really do mean a lot. Someone forgot to mention that there were at least a hundred people in this drug den. How they managed that -'
Lisa rubbed at her face. 'Fuck. They were using a pocket dimension that they could move from place to place. And that got folded in with everything else. Another rope to the knot.'
ConcernFear. 'Um. Lisa. What will Scion do if he sees this? It - doesn't it seem like the kind of thing he'd want to stop? We've pushed our luck with the portals and the dimensional viewing tech.'
Dragon's voice echoed through the room as she spoke. 'Scion related blackout in the western Egypt region.'
'Doesn't really matter,' Lisa said. 'He's got roughly the same statistical likelihood of showing up at any given spot on the planet. If he comes here, he'll come here.'
---===---
EDIT: Aaaand you're listening a bit. Damn. Kinda didn't want to waste the couple of hours I spent on research last night, but apologies for harping on it.