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After all these new series, I still think Ultraman Tiga is probably the best Ultraman series. There was something more to it than just fighting monsters, you know, that whole theme of the struggle over belief and faith and stuff, and the series being isolated from other Ultraman series, being its own thing. Alas, nowadays, they fused it into the main setting...
Lmao this Ilya showed up after Cu Hound thrust into Shiro and he summoned Seiba, and then when Seiba chased out, she showed up and then said, "So after killing my mom and dad, you're going to kill me too, Seiba?"
If you think about it, Medusa hated herself because she wasn't a loli, because the Greeks were all lolicons, therefore Heracles is a lolicon, which is why he protected Ilya so much
if the servant is always never remember the last time they did something in the last summoning, couldn't the summoning ritual be designed instead to summon directly from the throne and instead from the moment they were returning to the throne, thereby intercepting them allowing you to have the version of them who remembers, after all the mechanism of reaching root requires them to have a returning mechanism
The title to Lao Ai is "The One Who Can Spin a Carriage Wheel" because it's euphemism for him being about to stick a carriage wheel on his penis and then spin it around
This version of simultaneous isekai seems more reasonable than others; it has the idea that the main soul has a sefirot that links each soul fragment, but each soul fragment is an actual fragment not a whole. So they attach themselves to people with incomplete souls, like Rangiku, Ginny Post-Tom Riddle, Mirajane, Tanya, Sukuna, Nina Tucker+Dog...
I finished the story... it held up longer than I expected, though, you know, with these massive crossovers, they tend to drop off on readers due to the inherent properties of such story types, but you know, it's still pretty good