Le sigh.
Lisa, go read I am a Strange Loop by Douglas Hofstader, which shows what pretentious tripe you're spouting (also it's just a damn good book).
Having said that,
TanaNari, I have noticed a slight stylistic quibble I have with your work while I've been catching up with it. Speech verbs other than said. Why use them so often? They're only really necessary if a word other than 'said' will actually
add something that the dialogue itself doesn't already have. This is a bit futile without examples, so here are a number from 351, where it became most egregious:
Amelia, Ch 351
"I've found a possible solution to the problem," Alexandria stated. "I don't think anyone's going to like it, however."
Why stated? Said would do just as well and not sound as pretentious. It would be possible that 'stated' might be symbolic of a particular mindset of the perspective character, but Amelia isn't really that arrogant.
SuspicionWorry. "Won't cost us anything to hear the idea," Taylor responded.
Why responded? It's clear she's replying from the structure. Unnecessary word. Use said.
"A Thinker ability that grants unique understanding of powers," Alexandria answered. "She's been using it to help Eidolon optimize his abilities. They've formed something of a rapport with each other, "
Why answered? Of course Alexandria's answering the question, why else would she be speaking? Less annoying than the two above however.
"So, basically, we're calling in Eidolon and hoping he has a power that can deal with this mess?" Lisa added, following whatever script she was pulling off of Alexandria, and I was convinced they had something going on that we couldn't tap into any more than they could tap into Taylia.
Why is Lisa 'adding'? It's obvious she's contributing to the conversation. Unnecessary. Also, mildly annoying that Amelia spots the Minervandria link so easily with very little reason given as to what makes her think this, but that's a point for another time.
"It's true," Lisa agreed. "The other interactions tend to fade pretty quickly, leaving only their side effects behind. Nothing that continues to use power, at least. That thing out there is made of pure energy. A prismatic forcefield. It has to be consuming a lot of energy."
You used agreed literally a paragraph before for Alexandria's speech. Why not said? Better yet, why put who's talking in - it should be obvious from the tone of their speech and word choice.
"No weak points?" Taylor asked.
It's a question. You have a question mark. No need to throw asked in there as well, unless you want to double triple emphasise its questioningness.
ConcernFear. "Umm, Lisa, I just thought of something horrible," Taylor muttered. "What happens if Scion sees this? This seems like the kind of thing that he'd put a stop to if he noticed, and we're already pushing our luck with the portals and dimensional viewing technology."
Must admit, am not entirely clear on their physical positioning - is Taylor muttering so Chevalier won't hear? In case Scion's listening in? Perhaps some clarity might make it clear why muttered is necessary. Also, I don't know about you, but I almost
never think of anyone's speech as actively muttering in circumstances where I can make their words out clearly. Maybe that's just me...
"Scion related blackout currently located in the western Egypt region," Dragon informed us.
Duh she informed you. WHY NOT SAID.
"Doesn't matter anyway," Lisa responded. "He's as statistically likely to show up here as any other part of the planet in any given second."
Why responded? Etc.
"Well, that's wonderful," Vicky responded. "So, my job's as done as it's going to get without me getting into cuddle range of that thing. How long's it going to take for the Tinkers to get their stuff done so we can heal the injured and arrest people?"
WHY RESPONDED
AGAIN?
"Hours," Lisa answered. "Maybe days."
...at least it isn't responded...
"We're going to have Eidolon come in to handle it," Lisa responded.
Spoke too soon. Responded is an ugly word - it feels awkward and unwieldy. If that's an effect you're going for, ok, but it seems a little unlike your narrative style to keep the prose so...well, sloppy.
And that's not quite half the chapter alone. I imagine I could pull more examples out of other chapters if I looked hard enough. They're
really distracting, and make it very hard to take the excellent narrative and characterisation seriously.